Music to soothe the beastly babyMusic to soothe the beastly baby
“The positive benefits of music can be extended to infants before they are even born. For instance, from as early as the 24th week of an unborn infant’s life, their perceptual world is embedded within the sound of their mother’s heartbeat. The child is not grown in an acoustic vacuum, but rather in an environment textured by the regularly occurring beats of the mother’s heart and the melodic contours of her physiological states. These temporally regularized acoustic textures provide security to the infant as their regularity affords an environment in which the infant’s expectations can be repeatedly satisfied and secured. It is unsurprising, then, that one of the most stressful changes that occurs during the transition from intrauterine to extrauterine life is the loss of rhythm that the fetus has become accustomed to through months of being exposed to maternal movements, breathing, and heartbeat. Research has suggested that an infant’s transition from intrauterine to extrauterine life, and as a result, their transition from a more rhythmic to a more chaotic acoustic environment, has the unwelcome effect of disrupting the infant’s basic life processes [. . . and] adversely affects neonatal biorhythms which, in turn, affect sleep regulation and state lability. In short, babies have good reason to be kicking and screaming as they enter the new world; for the new world is acoustically unstable, unpredictable, and in a constant state of unharmonious disequilibrium.” – Adam M. Croom, “Music, neuroscience, and the psychology of well-being”, Frontiers in Psychology, January 2012 (citations and internal quotes omitted)