“The didactic mission of preserving the past as an object for the future, narrated by the stark finality of ‘never again,’ renders the structural violence of the present illegible while monetizing the promises of witnessing, thus profiting from the illusion that it is possible to coexist with the past.” – Julia Michiko Hori, “Berthing Violent Nostalgia: Restored Slave Ports and the Royal Caribbean Historic Falmouth Cruise Terminal”