Category: Lit & Crit
“Man was made to enjoy each day only a small potion of food, colours, sounds, sentiments and ideas. Anything above the allotted quantity tires or intoxicates him; it becomes the idiocy of the drunkard or the ravings of the ecstatic.” – Gustave Flaubert, “Over Strand and Field” (trans. unknown)
“If you let one demon in the front door, he will let all of his friends in the back door.” – Patrick Glenn Jeffries, “A Mother’s Earth”
“Always look a man in his eyes. Even when you are afraid of him. After a while you will see he is only a man.” – Patrick Glenn Jeffries, “A Mother’s Earth”
“Once there was a man of Ch`u selling shields and halberds. In praising his shields he said, ‘My shields are so solid that nothing can penetrate them.’ Again, in praising his halberds, he said, ‘My halberds are so sharp that they can penetrate anything.’ In response to his words somebody asked, ‘How about using your halberds to pierce through your shields?’ To this the man could not give any reply.” – The Complete Works of Han Fei Tzu (trans. and ed. W. K. Liao)
“When one experiences thought in its barest form, the interval between a question and its answer can sometimes span centuries.” – Tiqqun, Introduction to Civil War
“The compassionate mother, regarding her infant child, always strives to establish the child’s well-being. If she strives to establish the child’s well-being, she will endeavour to rid the child of calamities. If she endeavours to rid the child of calamities, her reflection and consideration become thorough. If her reflection and consideration are thorough, she will attain the principles of affairs. If she attains the principles of affairs, she will certainly accomplish her purposes. If she is certain of accomplishing her purposes, she will not hesitate in her action. To make no hesitation is called ‘bravery’.” – The Complete Works of Han Fei Tzu (trans. and ed. W. K. Liao)
“No greater crime than submitting to desire. No greater misery than not knowing sufficiency. No greater fault than avarice. Therefore, who knows sufficiency’s sufficiency is always sufficient.” – Lao Tzu, “Moderation of Desire” (quoted in The Complete Works of Han Fei Tzu, trans. and ed. W. K. Liao)
“The trick of life is never to take the last run, when the mountain is awash in incandescent blue and gold, when the lines and slopes are thinning out and it would be just a quick wait to get on the lift, when your body is spent but you yearn for one last run. This is the time to go home.” – Betsy Lerner, The Bridge Ladies
“All of the men go first. Men who went to work every day, smoked cigars and wore fedoras, men who might have strayed but didn’t leave their wives, trade them in for younger models. Played ball with their sons and walked their daughters down the aisle at their weddings. These were men who poured tumblers of scotch and read the paper when they got home. Men who golfed on the weekend, played tennis, pinochle, poker, and couples Bridge with their wives. They didn’t read GQ or Esquire, didn’t need to. They knew how to tie a tie, do a push-up, and wax the Cadillac. They took Polaroid pictures at birthday parties and paid the bills. That their wives didn’t have to work was a point of pride, as was putting their children through college, affording a second home in a gated community in Boca or Palm Beach with automatic sprinklers and manicured putting greens. They left nest eggs and continued to take care of their wives from the grave.” – Betsy Lerner, The Bridge Ladies
“Whenever I read an article about the unexpected benefits of aging, I groan. It’s not fun, you don’t become wiser, and worse, the world is hurtling away from you. Old age is nothing if not managing losses: physical ability, appearance, memory, spouses, friends, economic independence, and finally freedom.” – Betsy Lerner, The Bridge Ladies
“ ‘Are you bipolar?’ My daughter was ten when she asked me. We were in her bed reading together before she went to sleep. It was something I knew I had to tell her one day, but I didn’t expect it to come out this soon, and in the moment she had taken me by surprise. I felt instantly awash in shame. By way of explanation, she said that her friend’s mother had googled me. Google. Fucking Google. For the first time I regret having written a memoir about my illness. She was a toddler when I wrote it. At the time, a handful of friends suggested that it was irresponsible of me; what would my daughter think when she was old enough to read it? Insulted by the question, I was cavalier in my response. Aren’t men allowed to write about their illnesses, their affairs, their acts of aggression and unkindness? Why are women held to a higher standard? Why is our mothering called into question when we reveal something unpleasant? All of my indignation fell away when my daughter looked up at me. I had told the world my story, only now I faced the only person for whom the truth mattered.” – Betsy Lerner, The Bridge Ladies
“Before flaws look like style, they look like flaws.” – Maria Adelmann, “Basket Weaving 101”
“There is a limit to the amount of misery and disarray you will put up with, for love, just as there is a limit to the amount of mess you can stand around a house. You can’t know the limit beforehand, but you will know it when you’ve reached it.” – Alice Munro, “Bardon Bus”
“The images, the language, of pornography and romance are alike; monotonous and mechanically seductive, quickly leading to despair.” – Alice Munro, “Bardon Bus”
“She had never been able to get rid of the fourteen-year-old girl within herself who was ashamed of her breasts and had the disagreeable feeling that she was indecent, because they stuck out from her body and were visible. Even though she was proud of being pretty and having a good figure, this feeling of pride was always immediately curtailed by shame. She rightly suspected that feminine beauty functioned above all as sexual provocation and she found this distasteful. She longed for her body to be related only to the man she loved. When men stared at her breasts in the street it seemed to her that they were invading a piece of her most secret privacy which should belong only to herself and her lover.” – Milan Kundera, “The Hitchhiking Game” (trans. Suzanne Rappaport)
“Childish desires withstand all the snares of the adult mind and often survive into ripe old age.” – Milan Kundera, “The Hitchhiking Game” (trans. Suzanne Rappaport)
“A man lives a sad life when he cannot take anything or anyone seriously.” – Milan Kundera, “Edward and God” (trans. Suzanne Rappaport)
“If you run your mouth long enough, you’ll say something sensible.” – Dale Wisely, Editor, Right Hand Pointing
“You are free and that is why you are lost.” – Nadine Gordimer, quoting Franz Kafka, in “Letter from His Father”
“It’s an exceptionally smart man who isn’t marked forever by the sexual theories he hears from his father.” – Saul Bellow, “A Silver Dish”
“Some in their discourse desire rather commendation of wit, in being able to hold all arguments, than of judgment, in discerning what is true; as if it were a praise to know what might be said, and not what should be thought.” – Francis Bacon, “Of Discourse”
“If you lead a completely useless life, but do it with style and die young enough, you’re quite likely to be remembered with more affection than the man who has a record of accomplishment. But the secret is to die young enough. If you think you’re going to live to a ripe old age, it’s better to pile up a record of accomplishment of some sort. It may be bridge-building, or money-making, or butterfly-collecting, but it has to be something. People don’t like to see longevity wasted on a do-nothing.” – John O’Hara, “Flight”
“We must look a long time before we can see.” – Henry David Thoreau
“It’s the same double-standard, always;
a god can sleep with as many
mortals as he wants
but a goddess takes a man as a lover
and Zeus must intervene.
I decried Zeus for his indiscretions
with Leda and Europa,
but, alas, he’s Zeus, and there’s no reasoning.
When I uttered Leda’s name, I faltered,
because she’s the reason for Helen
and this insipid war.
At the crack in my voice, Zeus
chuckled—I knew my case was lost
but tried every trick possible,
Odysseus isn’t really a mortal—
he’s almost a god, or why would Athena,
your daughter, from your own head sprung,
so adore him? Or
Odysseus is less than a mortal—
it was a pity. He washed up on my shore,
more a half-drowned kitten than a man—
can I keep him?
But none of these worked.
Zeus, who must have Hera and Leda
and Europa and many others
can’t understand the curse
of being alone
and immortal
in paradise.”
Shaindel Beers, “The Calypso Diaries” (emphasis in original)
“Sometimes you let him go because it is more cruel
than keeping him.
Sometimes you let him go because freedom
is the opposite of love.
Sometimes you let him go because freedom
is the only love.”
Shaindel Beers, “The Calypso Diaries”
“I think that when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort.” – Renata Adler, Speedboat
“That ‘writers write’ is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.” – Renata Adler, Speedboat
“The most essential gift for a good writer is a built-in, shockproof, shit detector.” – Ernest Hemingway (interviewed by George Plimpton in Paris Review)
“Trying to write something of permanent value is a full-time job even though only a few hours a day are spent on the actual writing. A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.” – Ernest Hemingway (interviewed by George Plimpton in Paris Review)
“Now sometimes when I can’t sleep, I wonder. A twenty-four hour curfew every day, for everybody. Suppose we blow up the whole thing. Everything. Everybody. Me. Buildings. No room. Blast. All dead. No survivors. And then I would say, and then I would say, Let’s just have it a little quiet around here.” – Renata Adler, Speedboat