“Frederick the Great was accustomed to say: ‘The older one gets the more convinced one becomes that his Majesty King Chance does three-quarters of the business of this miserable universe.’ ” — Albet Sorel, The Eastern Question in the Eighteenth Century
Category: Verandah
“It is no crime that a person’s taste changes according to what he experiences and is exposed to. The youth for example are comforted by exaggerated prattle and obscenity. While the aged prefer speech that is free of such blemishes. Therefore we say that we cannot clearly define the limits of taste, for it is built on habit and familiarity, and those two differ. But one can approximate it when one distinguishes good habits from bad ones through a sound nature and a clear intuition.” – Ahmad Faris Shidyaq, “On Taste” (trans. Rana Issa and Suneela Mubati)
“Bad behavior heralds ruin.” – Jac Jemc, The Grip of It
“Unlasting, what could be forever? Or only what it seemed? Rock corrodes, rivers freeze, fruit rots; stabbed, blood of black and white bleeds alike; trained parrots tell more truth than most, and who is lonelier: the hawk or the worm? Every flowering heart shrivels dry and pitted as the herb from which it bloomed, and while the old man grows spinsterish, his wife assumes a mustache.” – Truman Capote, Other Voices, Other Rooms
“Is not ambition but an endless ladder by which no height is ever climbed till the last unreachable rung is mounted? For height leads on to height, and there is no resting-place upon them, and rung doth grow upon rung, and there is no limit to the number. Doth not wealth satiate, and become nauseous, and no longer serve to satisfy or pleasure, or to buy an hour’s peace of mind? And is there any end to wisdom that we may hope to reach it? Rather, the more we learn, shall we not thereby be able only to better compass out our ignorance? Did we live ten thousand years could we hope to solve the secrets of the suns, and of the space beyond the suns, and of the Hand that hung them in the heavens? Would not our wisdom be but as a gnawing hunger calling our consciousness day by day to a knowledge of the empty craving of our souls?” – H. Rider Haggard, She
“In this world there are people who are so lonely that
each hand reaching out to them is like a candle in
a dark cave.”
– Peycho Kanev, “The Hope”
“The capitalist machine does not run the risk of becoming mad, it is mad from one end to the other and from the beginning, and this is the source of its rationality. . . . its operation grows more relentless . . . it produces the terrible single class of gray gentlemen . . . it does not run the risk of dying all alone, but rather of making us die, by provoking to the very end investments of desire that do not even go by way of a deceptive and subjective ideology, and that lead us to cry out to the very end, Long live capital . . . . Except in ideology, there has never been a humane, liberal, paternal, etc., capitalism. Capitalism is defined by a cruelty having no parallel in the despotic regime of terror. . . . exploitation grows constantly harsher, lack is arranged in the most scientific of ways . . . . The reproduction of the interior limits of capitalism on an always wider scale has several consequences: it permits increases and improvements of standards at the center, it displaces the harshest forms of exploitation from the center to the periphery, but also multiplies enclaves of overpopulation in the center itself, and easily tolerates the so-called socialist formations. . . . There is no metaphor here: the factories are prisons, they do not resemble prisons, they are prisons. Everything in the system is insane.” – Gilles Deleuze and Félix Guattari, Anti-Oedipus (trans. Robert Hurley, et al.) (emphases in original)
“How long until I forget nothing in this world belongs to us, not even ourselves?” – Jessica Lynn Suchon, “Ars Poetica with Post Traumatic Stress Disorder”
“If people weren’t in such a rush, they’d live twice as long and achieve three times as much.” – Alfred Döblin, Berlin Alexanderplatz (trans. Michael Hofmann)
“One does not necessarily die nobly or even quietly after being shot. In most instances it is an excruciating experience.” – Leon Metz, The Shooters
“Life’s a war zone. Death’s the sanctuary. You want to be safe?” – Gordon Lish, Conversations with Gordon Lish (eds. David Winters and Jason Lucarelli)
“There is no predicting who can protect us and who can attack us, nor whom we will harm and whom we will save.” – Paola Peroni, “Protection”
“There’s two roads to take, and they’re both bad.” – Bob Dylan, Nobel Lecture
“Without absolute knowing, subjects are unable to act freely because they posit an authoritative substance that ultimately functions as a barrier to the act. The belief in substance limits what one conceives of as possible. For instance, the subject that believes in the substantiality of God can’t act in a way free of God or the subject that believes in the substantiality of the atom can’t act in a way that would challenge the existence of atoms. Whatever entity has the status of ‘substance’ for the subject impedes the subject’s ability to act freely.” – Todd McGowan, “We Are the Change that We Seek”
“The act of teaching the young so that they can carry our humanity, what we’ve made of ourselves, into future worlds is an act that in a sense defies the forward march of time and the relentless annihilation and oblivion of death. Even as a father’s material being abandons his children, he leaves something of himself behind, often lessons that are unpacked only as his children’s own lives unfold.” – Peter S, Fosl, “You Don’t Know Who You Are”
Especially having to apologize for it laterEspecially having to apologize for it later
“It’s what musicians do when they don’t know what to do anymore. They take out a wineglass or a handkerchief and try to play their cellos with that. Or they rub a balloon and tell people that this is their new instrument. Or they hang on to the bow and toss the cello, and they play their bow on the radiator or piano or a piece of wood. They make a sliding or scratching sound and this is their new music. Or artists, they do it too. They put away their pads and pull stuff out of the garbage. They’ve been doing that for so long, it’s unnerving—this little segment of the population going around, saying that they see art everywhere: trash bin, mountain, sidewalk, plank, person, disease. Some people find it almost annoying.” – Deb Olin Unferth, “Abandon Normal Instruments”
Not to mention luckNot to mention luck
“To be able to die of old age and be put to rest with a lavish funeral required exceptional talent.” – Gao Xingjian, Soul Mountain (trans. Mabel Lee)
What’s love got to do with itWhat’s love got to do with it
“I went on through the post town of Sekimoto, where the citizens in their rows of houses offer lodgings and wait upon the traveler as their master for a night, while the girls singing in the windows entice him in to treat him as a husband. How sad, to pin such vows of eternal love on a night’s transient dream, a long life’s faithful bond on the desires of a passing traveler. Though so different from all the rich trappings of bridal jade-green curtains and scarlet boudoir, life together in a humble hut with rustic brushwood door is the same, for both are no more than brief pleasures of a passing lifetime.” – Anonymous Monk, “Journey Along the Sea Road” (trans. Meredith McKinney)
Would you like fries with thatWould you like fries with that
“The fisherman hauls his nets, tiring his body in the very act of shielding it from starvation; the starving fish takes the bait, its very need for life condemning it to death. Just how much can a man profit in this world; how much can a little fish consume? Each feels the same about existence, each treasures life. Further, the woodsman sweating on the hillside, who returns at evening bearing the north wind at his back, the limping seller plying his trade through the fields, who sets out at dawn through the thick white dew—their work may differ but for all, the sufferings of this life are one.” – Anonymous Monk, “Journey Along the Sea Road” (trans. Meredith McKinney)
In a galaxy far, far awayIn a galaxy far, far away
“No one ever really falls in love with anyone they know. To fall in love with someone that one knows is to fall in love with someone that one already fell in love with a long time ago.” – Tan Lin, “Ambient Stylistics”
The call of the museThe call of the muse
“There are no empty hopes. But knowing what to hope for is steady work. What was ever so important to you you left your daily life to heed it?” – Joanna Klink, “The Infinities”
Woman and child, tooWoman and child, too
“Man has long talked somewhat arrogantly about the conquest of nature; now he has the power to achieve his boast. It is our misfortune—it may well be our final tragedy—that this power has not been tempered with wisdom, but has been marked by irresponsibility; that there is all too little awareness that man is part of nature, and that the price of conquest may well be the destruction of man himself.” – Rachel Carson, “Of Man and the Stream of Time” (emphasis in original)
We’re working on itWe’re working on it
“How melancholy is the Reflection, that the Folly & Wickedness of Man, under the abused Titles of Prudence & Patriotism, shall ruin the finest Countries, and proceed, as far as they may, to desolate the Earth!” – Ambrose Serle, Journal, August 28th, 1776
The shiningThe shining
“It happened late Friday night. That morning no one suspected anything. I sent my son to school, my husband went to the barber’s. I was preparing lunch when my husband came back. ‘There’s some sort of fire at the atomic station. They’re saying we are not to turn off the radio.’ This wasn’t any ordinary fire, it was some kind of shining. It was pretty. I’d never seen anything like it in the movies. That evening everyone spilled out onto their balconies, and those who didn’t have balconies went to friends’ houses. We were on the ninth floor, we had a great view. People brought their kids out, picked them up, said: ‘Look! Remember!’ And these were people who worked at the reactor—engineers, laborers, physics instructors. They stood in the black dust, talking, breathing, wondering at it. People came from all around in their cars and on their bikes to have a look. We didn’t know that death could be so beautiful.” – Nadezhda Petrovna Vygovskaya (from Voices from Chernobyl, by Svetlana Alexievich, trans. Keith Gessen)
The ontic telos of needThe ontic telos of need
“The logic of the present situation is no longer of an economic but of an ethico-political kind. Work is the linchpin of the citizen factory. As such, it is indeed necessary, as necessary as nuclear reactors, city planning, the police, or television. One has to work because one has to feel one’s existence, at least in part, as foreign to oneself.” – Tiqqun, This Is not a Program (emphases in original)
BBQ Beckies allBBQ Beckies all
“Citizens, insofar as they are made to compensate more and more frequently for the failures of the welfare state, will be paid more and more overtly for their work in comanaging social pacification. A citizen’s dividend will therefore be established as a form of coercion to maintain self-discipline, in the form of strange, extremely tight-knit, community policing. If necessary, they maight even call it ‘existence wages,’ since it would in fact entail sponsoring those forms-of-life most compatible with Empire.” – Tiqqun, This Is not a Program
So don’tSo don’t
“If you let one demon in the front door, he will let all of his friends in the back door.” – Patrick Glenn Jeffries, “A Mother’s Earth”
Try it and see what happensTry it and see what happens
“To be truly hospitable you don’t ask someone if they’re thirsty or hungry—you offer them food, you offer them drink. They will not turn down what you put in front of them if they’re hungry and thirsty.” – Patrick Glenn Jeffries, “A Mother’s Earth”
No more and no lessNo more and no less
“Always look a man in his eyes. Even when you are afraid of him. After a while you will see he is only a man.” – Patrick Glenn Jeffries, “A Mother’s Earth”
And carry a big stickAnd carry a big stick
“Never talk tough before a fight. Losing a fight is one thing. Looking foolish and losing a fight is another.” – Patrick Glenn Jeffries, “A Mother’s Earth”