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“There is nothing that tests your commitment to a goal like getting a few doors closed in your face.” – James Richard Perry (quoted in the Nashville Post, 2009)
“There is nothing that tests your commitment to a goal like getting a few doors closed in your face.” – James Richard Perry (quoted in the Nashville Post, 2009)
“The distant rear of an army engaged in battle is not the best place from which to judge correctly what is going on in front.” – Ulysses S. Grant, Personal Memoirs
“Nothing is more depressing than consolations based on the necessity of evil, the uselessness of remedies, the inevitability of fate, the order of Providence, or the misery of the human condition. It is ridiculous to try to alleviate misfortune by observing that we are born to be miserable. It is much better to prevent the mind from indulging in such reflections, and to treat men as emotional beings, instead of treating them as rational.” – Montesquieu, “Letter 33,” Persian Letters (trans. Betts)
“I would not have the anniversaries of our victories celebrated, nor those of our defeats made fast days and spent in humiliation and prayer; but I would like to see truthful history written.” – Ulysses S. Grant, Personal Memoirs
“A limp that tells the world we are compensating for an injury becomes a habit hard to break even when its cause has healed and there is no longer any ‘reason’ for it. Except that the limp wishes to remain. Our stutter wants to stay. Our fall from a ladder would be forever like a cast-out angel if we didn’t fetch up in a lake of fire or at least on a floor.” — William H. Gass, “Auguste Rodin,” from A Temple of Texts
“All of us have emotions urgently seeking release, and many of us have opinions we think would do the world some good; however, the poet must also be a maker, as the Greeks maintained, and, like the sculptor, like every other artist, should aim at adding real beings to the world, beings fully realized, not just things like tools and haberdashery that nature has neglected to provide, or memos and laws that society produces in abundance.” — William H. Gass, “Auguste Rodin,” from A Temple of Texts
“The world is not simply good and bad on different weekends like an inconsistent pitcher; we devour what we savor and what sustains us; out of ruins more ruins will after, in their polished towers, rise; lust is the muscle of love: its strength, its coarseness, its brutality; the heart beats and is beaten by its beating; not a shadow falls without the sun’s shine and the sun sears what it saves. These are not the simplicities my saying has suggested. In our civilization, the center has not held for a long time; neither the center nor the place where the center was can now be found. We are disordered, arthritic fingers without palms. Inside the silence of unmoving things, there are the sounds of repeated explosions. Perhaps it is catastrophe breathing.” — William H. Gass, “Humors of Blood & Skin,” from A Temple of Texts
“There are those who like to sail alone around the world; they shut themselves up in towers to write or watch for fires; in huts encased in ice, they give up their lives to loneliness; who hunt for pelts in the mountains or are driven with aimless intensity from place to place like sand through a desert; fly solo, take to the woods. Searching for a second self, they dislike distraction. They want something to pit their strength against: angel or shade or element of nature that will assume the shape, and become the substance, of their enemy within.” — William H. Gass, “On Heroes and Tombs,” from A Temple of Texts
“Through the tax code, there has been class warfare waged, and my class has won. It’s been a rout. You have seen a period where American workers generally have gone no place, and where the really super rich as a group increased their incomes five for one in this rarefied atmosphere.” — Warren Buffet, quoted in “Returns ‘Terrific’ as U.S. Workers Suffer,” Bloomberg News, 11.15.11
“When Mies van der Rohe said that God was in the details, and Paul Valéry insisted that there were no details in execution, both meant the same thing—namely that every element of the work must be made to count.” — William H. Gass, “Three Lives,” from A Temple of Texts
“I must say I trust hatred more than love. It is frequently constructive, despite the propaganda to the contrary; it is less frequently practiced by hypocrites; it is more clearly understood; it is painfully purchased and therefore often earned; and its objects sometimes even deserve their hoped-for fate. If you love the good, you have to hate evil. I cannot imagine a love so puerile and thin and weak-kneed it cannot rage.” — William H. Gass, “Fifty Literary Pillars,” from A Temple of Texts
“Everything around us is terrifying. There is no longer a common language. No one understands anyone else. I believe no one wants to understand.” — Elias Canetti, The Agony of Flies (quoted in “Influence,” from A Temple of Texts, by William H. Gass (emphasis in original))
“If you enjoy the opinions you possess, if they give you a glow, be suspicious. They may be possessing you. An opinion should be treated like a guest who is likely to stay too late and drink all the whiskey.” — William H. Gass, “Influence,” from A Temple of Texts
“True strength, throughout its spectrum, shows itself through unflustered gentleness and forbearance, since only such strength has nothing to fear.” — William H. Gass, “Influence,” from A Temple of Texts
“It may be that in a state of nature, since it is a state of war, the life of man is solitary, poor, nasty, brutish, and short, but in our present state of mediocrity, it is cowardly, shallow, tedious, banal, and uselessly drawn out.” — William H. Gass, “To a Young Friend Charged with Possession of the Classics,” from A Temple of Texts
“It is not death that is to be feared but, rather—and something history should be devoted to demonstrating—the loss of excellence.” — William H. Gass, “There Was an Old Woman Who,” from Tests of Time
“A fiction is forever a fiction, and everything that was will remain as it was eternally.” — William H. Gass, “There Was an Old Woman Who,” from Tests of Time
“No amount of relativism, no degree of deconstruction, no namby-pamby pluralism, despite debunking, the disclosure of bias, the so-called unreliability of observers and their cultural conditioning—their class and color blindness—or the oft-bewailed problems of representation, language’s betrayal of the mind, should be allowed to shake the singleness, consistency, and wholeness of any happening.” — William H. Gass, “There Was an Old Woman Who,” from Tests of Time
“To be stupid and selfish and to have good health are the three requirements for happiness, though if stupidity is lacking, the others are useless.” — Gustave Flaubert (quoted in Tests of Time, by William H. Gass)
“For the real writer, life does more than accept or resemble language; it coughs up words like gobs of bloody spit, suggests them, insists, and every one is more historical than history, deep beyond diving, wide beyond reach.” — William H. Gass, “Quotations from Chairman Flaubert,” from Tests of Time
“A writer should be wary of the world, as if it were a place of poisonous ivies and venomous snakes.” — William H. Gass, “Quotations from Chairman Flaubert,” from Tests of Time
“A book may have been published, but it is not available if I don’t know it exists; if it costs more than I can afford; if it is locked up and out of reach; if I am illiterate, or ashamed of bookishness, or teased or told I am uppity if I want to rise above my fellows. Entire societies are devoted to keeping their citizens ignorant, unskilled, unschooled, fanatical in support of their own stupidity and of the forces which would switch off every intellectual light.” — William H. Gass, “The Shears of the Censor,” from Tests of Time
“Ideally, magazines should be supported by their subscribers. But our educational system doesn’t produce such audiences. We publish poetry; we don’t read it. We like it performed for us so that it will, with the poet, take the plane. And we like our few books autographed, because they will, one day, be worth more to our heirs and our assigns.” — William H. Gass, “The Shears of the Censor,” from Tests of Time
“The chief mode of censorship in a commercial society is, naturally enough, the marketplace. It is not that we suppress serious books entirely. But in capitalist countries, only on the margins can excellence be located. Poetry and most significant fiction have to find a few little magazines to appear in, or an occasional small press which may be prepared to nourish them. However, those obscure mags are read only by their editors; the presses are being pennied to death; while their distributors go bankrupt.” — William H. Gass, “The Shears of the Censor,” from Tests of Time
“There is a bond between us, readers and writers—an ancient tie as old as writing is, if not as old as speech itself, a pact, a promise which the act of setting down sentences in a moving way implicitly solidifies—that what we shall say shall be as true to things and to our own hearts as we can manage with our skills to make them; and that what we read shall be free and unforced and uttered out of the deepest respect for the humanity all language represents, whatever its content otherwise; and that this covenant (broken tragically, every day which history has been there to mark) is the model for all exchange of thought and need and feeling, and that this community, the community of unveiled countenance and free speech, must be sustained if we are to continue, either in the harsh and unforgiving condition of survival or in terms of every genuine enterprise of the moral spirit—in short, so we can say, though we may be here by genetic accident or god’s decree, that we deserve to stay.” — William H. Gass, “Tribalism, Identity, and Ideology,” from Tests of Time
“What is unthinkable? Think it. What is unutterable? Utter it. What cannot be spelled without a dash? Fill in the dashes with doubts. What is obscene? Dream it. In all its tones, in seamy detail, at indelicate length. What is too horrible to contemplate? Describe it. With cool and indifferent interest. As though peeling a peach. You will not be the first, for the unthinkable has already been thought, the unutterable uttered innumerable times, God’s various names have been taken in vain, the obscene has been enjoyed, the horrible carried out.” — William H. Gass, “The Writer and Politics: A Litany,” from Tests of Time
“In every country, in every clime, regarding any rank or race, at any time and with little excuse, orthodoxy will act evilly toward its enemies. Survival is its single aim–that is, to rigidify thought, sterilize doubt, cauterize criticism, and mobilize the many to brutalize the few who dare to dream beyond the borders of their village, the walls of their room, the conventions of their community, the givens of some god, the mother-smother of custom, or the regimen of an outmoded morality.” — William H. Gass, “The Writer and Politics: A Litany,” from Tests of Time
“There is nothing truly beautiful but that which can never be of any use whatever; everything useful is ugly, for it is the expression of some need, and man’s needs are ignoble and disgusting like his own poor and infirm nature. The most useful place in a house is the water-closet.” — Theophile Gautier, quoted in “The Writer and Politics: A Litany” (from Tests of Time, by William H. Gass)